A Review of Floy Quintos’ Grace by Natalia Go

They believed. And I did, too.

A review of Grace by Floy Quintos, directed by Dexter M. Santos.

MILD SPOILERS AHEAD!

Last night, I watched Grace for the second time on its supposed last show date, and it was as marvelous as the first. The final masterpiece of playwright and director Floy Quintos. 

With a skeletal set, barely any props, and almost nothing but pure talent on and off stage, this piece was an unexpected treat for me—an atheist. That I enjoyed a religious drama says a lot about this production. It did not change my beliefs. It did not pull me back into the Catholic church but brought my faith back to the arts, perhaps again. Perhaps I lost it somewhere along the way as an actor and director who has been in the audience seat for far too long. 

To be honest, the heavy narration put me off at first. It started with an exposition of the supposed apparitions of the Virgin Mary to the Carmelite sisters in Lipa, Batangas, and a series of monologues about the fictionalized events. I was almost certain I would fall asleep. But then, the magic happened all too soon. There was an unmistakable genius in Dexter M. Santos’ direction of this play—from manipulating the barebones set through masterful blocking, lights, and music to the complete trust in the cast’s ability to tell this story with what little tools they had and the delicate guidance of a virtuoso. And I was in awe, as was every audience member on both nights, with a full house and standing ovation. 

The story revolved around and ended with a shower of petals from the sky—rose petals that healed, absolved, and converted. Was it a trick? The work of the devil? Or the result of an “overactive imagination,” as the men of the church accused Sister Teresita, the Carmelite novice who brought upon these divine mysteries through the Mother Mediatrix of All Grace? I am not inclined to draw conclusions as a non-religious. 

I am prepared, however, to recommend this play to anyone who wants an out-of-this-world experience of the performing arts, with no reservations. Grace by Floy Quintos has been extended until June 23rd at the Power Mac Center’s Blackbox Theater in Circuit Makati. 

See it for yourself, and I guarantee you will believe. 

The Glass Jar Virtual Play by Natalia Go

Watch the glass jar by natalia go

The Glass Jar is the first virtual play I’ve written and directed, starring Ina Salonga and Mary De La Vega.

Synopsis:

No one’s watching the pharmacy. The pills are up for grabs on the top shelf. Only the glass case and a lock are separating them from Chloe and Max. What would they risk by stealing a few pills? Max only wants the pills to help her sleep, but it appears Chloe has other things in mind. Would the two women risk extending their stay in the psych ward for this operation? As Chloe and Max scramble for keys and face mishaps, they talk about life before and after their confinement. 

Inspired by first-hand experiences in similar facilities, The Glass Jar takes us inside the minds of two mentally ill women who have very different perspectives on recovery. Will their little heist plan strengthen or break their friendship? 

*Trigger warning: suicidal ideation, drugs, profanity, and mature content.


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